Career Colette and Mathilde “Max” de Morny The family was initially well off, but poor financial management substantially reduced their income. Colette attended a public school from the ages of 6 to 17. Colette had three older siblings: maternal half-sister, Juliette (1860–1908), maternal half-brother, Achille (1863–1913), and full brother, Léopold (1866–?). A war hero who had lost a leg in the Second Italian War of Independence, he was awarded a post as tax collector in the village of Saint-Sauveur-en-Puisaye where his children were born. Jules-Joseph Colette was a Zouave of the Saint-Cyr military school. Her parents were war hero and tax collector Jules-Joseph Colette (1829–1905) and his wife Adèle Eugénie Sidonie ("Sido"), née Landoy (1835–1912). Sidonie-Gabrielle Colette was born on 28 January 1873 in the village of Saint-Sauveur-en-Puisaye in the department of Yonne, Burgundy. Her short story collection The Tendrils of the Vine is also famous in France. Colette is best known in the English-speaking world for her 1944 novella Gigi, which was the basis for the 1958 film and the 1973 stage production of the same name. She was also a mime, actress, and journalist. Sidonie-Gabrielle Colette ( French: 28 January 1873 – 3 August 1954), known as Colette, was a French author and woman of letters. This is especially apparent in numbers such as "I Remember It Well" where entire characters are forced to be cut out of the screen.Saint-Sauveur-en-Puisaye, Burgundy, France (By the way, the widescreen version is sooooo much better. Definitely see Gigi and judge for yourself. Compare this to My Fair Lady, which offers similar social commentary but resolves itself in a more standard way: For example 1) Eliza Dolittle only becomes noticeable and lovable after transforming her outward appearance and speech patterns 2) Although Professor Higgins finally realizes his love for Eliza at the end, it is Eliza who is forced to submit her will by effecting a reconciliation that does nothing to resolve any of the issues raised in the scenes leading up to that point. For everyone who has commented on the political incorrectness of the story, a closer look will actually reveal the true feminist perspective of Colette's work which was groundbreaking for its time: 1) the story is a commentary and observation of the limited social and economic options for women outside of marriage during the turn of the century Paris, 2) Although Gigi (Caron) never fully masters her lessons and grooming, she is able to capture Gaston's (Jourdan) heart precisely because of her imperfections, and 3) most importantly, it is Gaston rather than Gigi who is forced to truly transform himself and defy the social conventions of the time to bring the story to its resolution. The three principals, Leslie Caron, Louis Jourdan, and Maurice Chevalier, along with the Paris locales helps maintain a distinctively French flavor, especially in the way the characters relate and interact. Although reminiscent of their work on My Fair Lady, this score not only stands beautifully on its own but also grows in depth with each viewing. The delightful score, by Lerner & Loewe, includes songs such as "I Remember it Well," "The Night They Invented Champagne," "Thank Heaven For Little Girls," as well as the title track, "Gigi," sung with surprising candor and earnestness by Louis Jourdan. Having seen this film several times, I definitely have to rate Gigi as one of the most charming musicals ever made.
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